The Memoirs Of Giorgio De Chirico

De Chirico, historically the first (small s) surrealist (even the Surrealists admit this) was exalted as a visionary for his earliest paintings, then conveniently vilified by his followers (led by the despicable Andre Breton) when he radically changed his style. The bitterness and frustration of this situation (and it was a long frustration -- De Chirco lived well into his nineties) is very much to the fore in this remarkable book. The mysterious qualities of his painting, too, are much in evidence, and great care is lavished on seemingly trivial incidents whose significance is left very much to the reader's own cogitations. Unforgettable are such passages as his defense of "maisons closes" (whorehouses) as decent workplaces, his memories of the Dalcroze-inspired Braun sisters, and the strange juxtaposition of his being required as a boy to kiss a priest's hand with the frustration of having always to refuse his barbers' offers of a rubdown. Not a book for everyone, surely, but for those seeking to unravel one of the great enigmas of 20th century art, essential. Footnote: De Chirico's status as a painter is currently going through a fascinating process of re-evaluation, and the "new" case for De Chirico is perhaps most eloquently put forth in a beautifully produced catalogue from Hunter College and the Fondazione Giorgio e Isa DeChirico in Rome, titled "Giorgio De Chirico and America," filled with superb reproductions, documentary photographs and stimulating essays.

I am still on the first section which is a simple biography.It's a nice pleasant read and pretty enjoyable.