---
product_id: 683851832
title: "The Social Network (4K Ultra HD + Blu-ray + Digital SteelBook)"
brand: "jesse eisenbergandrew garfielddavid fincher"
price: "$87"
currency: NZD
in_stock: true
reviews_count: 5
url: https://www.desertcart.nz/products/683851832-the-social-network-4k-ultra-hd-blu-ray-digital-steelbook
store_origin: NZ
region: New Zealand
---

# The Social Network (4K Ultra HD + Blu-ray + Digital SteelBook)

**Brand:** jesse eisenbergandrew garfielddavid fincher
**Price:** $87
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** The Social Network (4K Ultra HD + Blu-ray + Digital SteelBook) by jesse eisenbergandrew garfielddavid fincher
- **How much does it cost?** $87 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.nz](https://www.desertcart.nz/products/683851832-the-social-network-4k-ultra-hd-blu-ray-digital-steelbook)

## Best For

- jesse eisenbergandrew garfielddavid fincher enthusiasts

## Why This Product

- Trusted jesse eisenbergandrew garfielddavid fincher brand quality
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- 15-day hassle-free returns

## Description

The story of the founders of the social networking website Facebook, and how overnight success and wealth changed their lives.

## Images

![The Social Network (4K Ultra HD + Blu-ray + Digital SteelBook) - Image 1](https://m.media-amazon.com/images/I/71to6qSa6BL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ a tremendous movie for the entire family to understand the social network creation
*by P***S on August 14, 2025*

a fantastic movie about the creation of Facebook as well as the characters and legal/political modifications of our culture that took place in the early 2000s and beyond where Mark Zuckerberg found his calling to create a new reality in American culture. Must see movie to educate your family on The development of the social network phenomenon.

### ⭐⭐⭐⭐⭐ Great
*by C***R on September 12, 2025*

An amazing movie. Packaging was prefect.

### ⭐⭐⭐⭐⭐ Master pieces...
*by A***N on December 29, 2010*

When `The Social Network' sweeps the Oscars (which it, inevitably, is going to do) it will be the first time since 1984 when Oscars Best Picture winner will match up with the film I deem to be the best of the given year (for those interested, 1984 was when `Amadeus' took the gold; and if you haven't seen it then you MUST IMMEDIATELY). The fact remains that `The Social Network' is not only the best reviewed film of the year, it is the best reviewed film of the past decade, and while I don't think it deserves that title (I am completely in `Eternal Sunshine of the Spotless Mind's camp for `Film of the Aughts') it would certainly be the Academy's best choice in YEARS.Like I've said to nearly every single person I've talked to; BELIEVE THE HYPE!I have a strange feeling there is going to be lots of YELLING in this review...In determining the best way to go about attempting to write a review for this film, I basically decided that it was best to just do it in pieces, master `pieces'. In other words; I'm just going to throw out my current thoughts in random order and hope it all fits together nicely. Contemplating a decisive and cohesive review for this film just seems wrong to me. My extreme excitement for this film has me all sorts of giddy and so that seems like the perfect template for dissecting the films utter greatness.The first master `piece' comes at the film's outset; a masterfully crafted opening sequence that utilizes cold stares and quick witted dialog to establish character persona and eventual developments. It is the single best opening sequence I've seen on film in a long time (I think I mentioned this fact while highlighting the brilliance that was `Inglorious Basterds' opening moments). The sparring between Rooney Mara and Jesse Eisenberg was FLAWLESS and really set the perfect tone for Fincher's finest film.SPEAKING ON TONE; what Fincher does here is just incredible. The way he creates something so dark and complex and fascinatingly enticing out of what could have been nothing more than a conventional `teen flick' is beyond commendable.HAND HIM THE OSCAR!Seriously, there is not a false note here. The film moves at the desired pace, never lagging but knowing not to move too quickly so as to skip over necessary plot points and character arcs. By breaking moments down with ease, Fincher elaborates on his character's inner monologue with keen insight and a sharpness that keeps the film very `cool' and `likable'; which is a feat to accomplish when your main protagonist is not very likable or cool.But then again, who needs to be cool when you are Jesse Eisenberg or Andrew Garfield or Armie Hammer or Justin Timberlake...or really anyone in the cast?Yes, a major master `piece' here is the flawless cast, all of whom handle their respective roles with enough concentrated naturalism to balance out the youthful arrogance and otherworldly naivety to create honest portraits of American youth. With a smug sense of arrogance that never once betrays his peering honesty; Eisenberg understands how to carry this film, making Facebook founder Mark Zuckerberg nearly sympathetic. He is never fully justified in his naivety, but he is (in a way) forgiven thanks to the self-loathing with which Eisenberg layers his character's shell. He is pathetically jealous and painstakingly ambitious, but his actions never feel evil or malicious because Eisenberg breathes a very real life into his eyes and makes this man less a monster and more a human being. Justin Timberlake reeks of charisma, which is expected, and it is more than enough to establish his take on Sean Parker to be noteworthy and effective. Armie Hammer takes on two characters, twins, and evokes separate when complementary personalities to each; which is a marvelous feat (I honestly thought he was played by TWO actors, he was that detailed in each approach). For me though, the star of the show is easily Andrew Garfield. The way he layers Eduardo Saverin, Zuckerberg's (former) best friend, is stunningly effective and poignant. He always decidedly supporting, giving heft to Eisenberg as the true start, but he makes the most of his moments and underscores the films more central themes.Which brings me back to Fincher. Like I said; I'm shooting this off as it pops into my head. When considering the directorial masterclass that Fincher showed up with here, I'm just astonished (and his Oscar win will be my absolute FAVORITE of the evening). Creating a mood and setting a tone is one thing, but the most important thing a director can do is add texture to that mood, and Fincher does that in spades. The way he uses imagery to propel the central themes of the film is also another astonishing trick that further imbeds the films core into the mind of the audience without browbeating us with a `message'. It creates an air of simplicity within a world of complexities.It feels effortless.One of my friends even likened the films `rowing' sequence, which almost feels like a scene from a different film (cut, paste, celebrate), to Spielberg's opening sequence in `Saving Private Ryan', and while I'm not quick to personally make the connection; I can see the reasoning behind his comparison. Fincher understood how to parallel the films central themes of power, ambition, loyalty, failure and vengeance with the actual `goings on' surrounding the film without making them so obvious they feel manipulated.EFFORTLESS.And now my mind is racing over to the films brilliant use of cinematography; which also causes me to think about the effective use of (or non-use of) lighting; all of which added layers to the films tone.And that score; O.M.G.Knowing that I really need to start wrapping this up is killing me. SO MUCH TO SAY SO MUCH TO SAY, but alas, I will try and close this up like so; this movie is far more than you'd expect. Yes, this a movie about Facebook and how it was launched and how it took a devastating toll on a friendship and, in effect, on a person, but understanding how easily it would have been to completely mess this thing up is something to keep close in mind, and something that will help elevate appreciation for what Fincher (and screenwriter Aaron Sorkin) did here.GREEDPOWERAMBITIONLUSTJEALOUSYPASSIONFAILURESUCCESSIt's all there, bursting through the surface.

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*Product available on Desertcart New Zealand*
*Store origin: NZ*
*Last updated: 2026-02-12*