Grafix Dura-Lar 0.007" Film, Ultra Clear, Glossy 40"x50', Material, Mylar/Acetate Alternative for, Blank Stencils and Templates, Protection, Transparencies, Windows, Arts and Crafts, Roll

I was looking for an environmental friendly way to protect my wooden dining table, or to avoid washing the cotton table cloth all the time. My wife wouldn't approve off any plastic table cloth that look a lot worse than her current beautiful one. I tried the temporary plastic table cloth for parties, and try to let it stay on the table as long as I can. That won't be a solution and they are too thin to be convenient. They are easily punctured. I was looking for a clear plastic sheet to cover the current table cloth so she wouldn't notice much. The ones on the market are mostly PVC. When I replaced the kid's shower lining last time, I though I was lucky to discover the cheapest plastic liner on the world in Target in a very hard to find corner. I didn't realize that the awful smell that we tolerated for days were toxic. Now we have PEVA instead. So obviously I won't get a PVC anything for my dining table. I didn't thought of just using a large piece of glass. But this will only be applicable for putting on wood directly. It will be too much trouble to change the table cloth if the glass is on top. For glass you need other table mats for cushion. Now this polyester sheet is perfect. It is actually 40 inch by 12 feet. It wouldn't make sense if it were 12 inch long. The only con is that I have to pay for 12 ft rather than 6 ft. And I have to cut it to size. Once unrolled, it has a tendency to stay flat. So it was easy to work with. It looked like glass, but you can't find the thickness at the edges. I boiled a pot of water, stopped the heat, let the bubbles subside, and put it on a piece of spare sheet. It didn't do anything to it. No marks. No signs of softening or melting. There is absolutely no smell of any type. This particular sheet is not FDA approved for food contact, but polyester the material can be approved in some applications. It's competitive with cotton because it doesn't need all the water to grow. We have mats for the forks and spoons so there's zero concern for us. The alternative is acetate sheet that is FDA approved for food contact. But it is not tear resistance and not heat resistance. The thickness is about a piece of normal paper. It can easily be cut to size with a scissor, but not a paper cutter. So you need not worry about damage by forks and knives. They may make a dent but no holes. The dents may be healed by a hairdryer but I don't worry about that. My other uses for the rest of the roll. Obviously, it makes good drawer liners. If there is a reasonable fit, it's pretty hard to lift the liner up. I cut the sheets with scissors by hand and get reasonable "straight" lines to fit the bottom. Update 11/2020 - Amazingly, it still looks like that. It's still in one piece. The edges and corners are intact. There are fine swirl marks due to daily use but you have to get close to see it. There are also one or two slight dish impressions and distortion when dishes are accidentally put on the table straight from the oven. But you can see a vague circle, and the sheet is still pretty flat around it. I must confest I haven't washed the table cloth under since!

I have been using this film to make dust jacket protectors for my hardcover book collection, and could not be more happy with the results. The film's thickness, at 0.002, is the perfect thickness for creating the dust jacket covers. The thickness of the film allows the sheets that I cut from the roll to lie flat and curl free. The lack of curling alone makes working with this film a pure joy. The 0.002 thickness allows the film to be easily folded and stay folded in the positions that you desire. Although the film is very easy to work with, the thickness is still great at providing a high level of protection that I expect as a dust jacket protector. Lastly, the clear version of this film, which is what I have been using, is very transparent and clear. Because of this, my dust jacket covers look just as good as if there was no film over them. I initially purchased this film as an alternative to using Brodart's line of dust jacket protective film, due to Brodart's higher prices and expensive shipping cost ( $7.99 shipping, even with Prime!?!? ). On a related side note, if you intend to use this film to create dust jacket protectors, expect to get 11 or 12 normal size dust jackets covered when using the 12-foot roll. If you are considering using this film for the same reasons as I have, then you owe it to yourself to give this film a try.

I recently came across Dura-Lar paper and I must say, I am thoroughly impressed with its quality. As a colored pencil artist, I always look for papers that allow me to create more depth with my colors and Dura-Law paper has exceeded my expectations. The double-sided option is a game-changer for me. It gives me the flexibility to alter colors and depth without altering the front side. Another thing that I really appreciate about Dura-Lar paper is the ease with which I can use my slic tool. The paper's smooth surface allows me to smoothly glide my slic tool over it and removes the pencil nicely. Overall, I would highly recommend Dura-Lar paper to all colored pencil artists out there. It is a unique paper and one of my go-to papers now, and I am sure it will be yours too once you give it a try.

I had a dwindling supply of some drafting Mylar that I've been using for 25 years to make hinge material for my R/C aircraft. I thought I would give this a try so I purchased it. It actually is the same exact material that I have been using over the years. You can not tear this material. It is extremely durable, thin enough, yet very flexible. The lightweight is also extremely important because one needs to keep airframe weight to a minimum. It also takes glue fantastically. Beside benefit is that it ends up creating a self-centering flight control surface. I can draw on it with pencil yet extremely easy to erase the pencil marks after I make my cuts. Oh yeah I will be also using it to make stencils for the final painting and marking of a finished subject. I've already found multiple other uses already. I can highly recommend this material and would give it over five stars if I could.

Interesting paper, good quality definitely learning curve for colored pencil artwork. Paper is thick and nice surface, only holds 4-5 layers but you can layer in reverse surface also.

Works amazing for my project! Built a wind tunnel for my son!

I use this product as a topsheet for letterpress printing with a traditional platen press. Oiled tympan paper is not as commonly available as it once was, but it can still be found. What I do is place my tympan paper on the platen and lock it in, then cut a sheet of Dura-Lar to cover the printing area, taping it in place with vinyl tape. I ink up my form and run an impression directly on the Dura-Lar. Once you have the impression, you can set up "compressible gauge pins" or other adhesive-based paper guides. Once this is done, tissue paper with a little kerosene or lighter fluid will serve to remove the impression. This is accomplished much more easily than with a traditional oiled tympan topsheet as you can never seem to get all the ink off, which means that the back of your work will have a residual impression on it for a few cycles at least. Adhesives commonly used on Scotch double-sided adhesive tape and similar products typically stick to Dura-Lar much better than they do to oiled tympan as well. Dura-Lar cuts easily and lays flat. It is durable and doesn't seem to harm lead & wood type or common photopolymer plates. I have not tried to use it with traditional gauge pins, but I see no reason it would not work. If I wanted to do this for some reason, though, I would cut the Dura-Lar very close to the impression area and place my gauge pins in the tympan paper. This seems a good way to avoid smashing type and increasingly difficult-to-find gauge pins, if nothing else. If you have to, you can use the same sheet of Dura-Lar to run a second impression if the press run wasn't too long and I have done this for jobs that are not critical. Realistically though, get another sheet for subsequent press runs, it isn't very expensive and this will avoid problems, especially if the first impression was at all heavy as is common practice these days in order to get a "bite" on the paper. I am not sure what this product was designed to do, but as a pressman's topsheet, it is just about as good as it gets!

After doing much research and getting the wrong materials more than once and wasting so much money on products that didn’t work I finally landed on the perfect product for my hand drawn screen print transparencies. It’s literally PERFECT and the quality is absolutely flawless. The only thing is that it was really pricey 😰 I’m sure it’ll be worth it though :) hope this product is here forever.