Happenstance

I love the deeper philosophical levels of this film but perhaps its subtlety and or improbability put many people off. Tough on them, 'Happenstance' is a uniquely brilliant and profound film not accessible to everyone but well worth the effort. Wonderful acting and strangely compelling script.

The idea of seemingly trivial actions being important is cute and a playfull idea, but not if the end result is boring. Other than some sharp dialogue the story is simply a "Rube Goldberg" vehicle to facilitate the preordained, and rather off putting, ending. Loose ends are left as such and the viewer is left wondering why any of the characters were introduced in the first place. If they didn't deserve to have their trials and tribulations resolved...then why were they there?!? Could have been, should have been, wasn't. Too bad.

A much more believable plot line than the later Aston Kutcher version, "The Butterfly Effect," which is in fact the French title of this movie. The intertwining of the lives of the characters, all strangers on their separate journeys through life, to reach the final conclusion is a work of art!

Like many who've been caught under the immaculate spell of the charming and talented French actress, Ms. Audrey Tautou of Amelie, I too have begun my own personal obsession of searching and exploring her other works. Happenstance is my second film after Amelie, and judging from other reviews, I was to expect a much smaller film in scope. And that basically what Happenstance is. It may not be as elaborate or artistic as Amelie, but it's a wonderfully fun film nontheless. It involves a number of varying characters and the actions they take throughout the movie have adverse effects on each other, which make for a cleverly fabricated plot that jumps you from character to character. The story itself, is not heavy or thick by any means mind you, but rather it allows the audience to follow these characters from different points of views and how the role of chance plays between these characters. And it's one of those movies where you can go back through it again and again and pick up important plot subtelties that you may have missed the first time through. Audrey Tautou may not have too much of a presense in the movie as some may have hoped for (that would include myself), but she does do a terrific job playing her part nontheless. With so many characters to take in, there was only so much time given to Audrey (and any character for that matter). Also, for people expecting to see the same starry eyed and cheerfully adorable Audrey from Amelie, will find Happenstance a joyous treat. She smiles a lot less in this movie than in Amelie but her charm is still as evident as ever. Again, it's a small film, and may appear very simple on the surface, but some who are willing to take a deeper look, will probably find its brilliantly crafted intricacies underneath. It might have been unfair to compare Happenstance with Amelie, but since the cover of the DVD shouts out loud "the star of Amelie," it was inevitable to measure the two. It may also be helpful to note that I did hold a much greater appreciation for the movie on my second time through, partly due because I had to watch the crummy VHS version, but mainly because I picked up more things that I hadn't before. Anyone that likes a good romantic comedy should definitely check this movie out if your interested at all, and if you're an Audrey fan, there's no reason why you shouldn't be watching this now. It's a fun and entertaining movie at heart that I definitely recommend.

After havine recently watching "Amelie" with Audrey Tautou, I set out to find other films she's done and came across this one. It had some pretty good reviews, so I took a chance and ordered it. After having watched it, I'll probably be donating it to my library and gettng rid of it. It's not a horrible movie, but it really didn't impress me much. None of the actors really made me feel anything for them, and since I mainly got it for Adurey Tautou I was particularly disappointed with her character. She doesn't have a big part in this movie and when she is in it, she's just seems to be standing there while things happen. The premise of the film leads you to believe "what if THIS happened, instead of THAT", but they really don't explore the different possibilites that could happen. The movie just rolls along doing it's thing until it's over with. I've seen quite a few foreign films so I understand that they aren't like our American "Hollywood" films, but this film left me without even wanting to think about it afterwards. I was just glad it was over so I could take it out of my player and watch something else. If you like Audrey Tautou, this really isn't a great showcase for her acting abilites. If you like movies that explore the "what if" aspect of certain actions and their consequences, this doesn't really play out like that. I wouldn't recommend this film to anyone, actually. I just didn't find it to be as good as I was lead to believe.

Fun, fun, fun, 'til your Daddy takes the re-mote away. It's clever, funny, *very* romantic (as only the French can be), and full of twists and turns. It's one of those movies that one thinks about and enjoys long after watching it. I had to buy it so I could watch it over and over.

Witty. Quirky. Genuine. Surreal. Butterfly wings? One could ask what all of these words best describe, and some (those in fuse with the international film community) may quickly say Happenstance, but others may jump aboard the more American train and immediately yell, The Butterfly Effect. Strangely, I would be one of those screaming for that sci-fi Kutcher film mainly because none of those words that I initially mentioned at the start of this paragraph accurately depicts the Tautou feature that I witnessed. Sure, we all loved her in Amelie and thought she was the daughter of Jesus in The Da Vinci Code, but in this film first-time director (of a feature film at least) Laurent Firode doesn't give Tautou the opportunity to shine. Sadly, he gives nobody the opportunity to really demonstrate themselves because he is too delicately caught up in the moments of "random chance" to bring this film to anything but just a shimmer (never a true boil). Firode has ample, and I use "ample" as a small word, moments throughout this film where he could have built us a fantastical story, a genuinely whimsical fairy-tale of love and coincidence, but instead he fell face-first into a mud-bucket of chaotic intertwining that overwhelmed us with inconsistent characters and a story that left us gasping for less. Tautou's beautiful face adorns the cover of this box, but do not be so taken immediately as I did in assuming that this was going to be another monumental journey into Tautou's French cinema. Tautou is in this film, do not get me wrong, but one could argue that she is not at the center of this story. Firode's job is to create a series of random events that eventually will lead to an audience friendly (albeit confusing) ending which exemplifies that meaning of refreshing "melodrama". He utterly, utterly fails. Firode fails by giving us, the audience, too many characters. With too many characters he gives us too many random interventions, and by the end you don't really care who is who, or what is what, or how is how; your main focus happens to be centered solely on the ending credits and the time destination of their arrival. Tautou could have saved this film from the disaster it was if only Firode would have given her the center. Alas, he did not, but attempted to seemingly force a group of 12 through a theoretical film hole about the size of a penny. It just didn't work and we were left with a jam in which we were completely stuck. Firode fails because he focus' so intently on the minor details that, for one of those rare film occurrences, he actually forgets the central focus. I can say that there was no defined central focus to Happenstance. In the beginning he attempts to create one with our two supposed main characters discovering that they share the same birthday and their horoscope promises love by the moonlight, but we never go back to that throughout the film. Instead, again, we are bombarded with new characters, stuffy scenes, and meaningless drivel obviously chosen to direct us away from an actual story and more into a world full of "ifs, ands, and buts". I couldn't do it. I couldn't believe this film. Writer Firode (yes, the same guy directing this garbage) uses a technique so primitive in this film that I immediately felt like ending it immediately. He must have been assuming that many of us were incapable of actually following the storyline (or the scientific premise) because he grabs the aid of a homeless person to actually fill in the respective blanks. I didn't need this, nor do I think Firode needed to belittle his audience in this matter. While there were other elements that just didn't seem to work for me at all (again, felt like a jumbled Parisian collage of shredded paper), this was the icing on the cake. I don't need my hand held through films. I will give this film one star for credit. This is a rather difficult genre to master successfully. Time travel films are especially hard because of the innumerable amounts of possibilities that are never accounted for, but with Happenstance it works because Firode semi-explores the different avenues. While I will counter with saying that he does not do it well, it did make for at least five full minutes of enjoyment. I liked where Firode was headed with this film, he had a genuinely diagramed story, but the final execution just blew this film to shreds. Firode could have saved this film if he would have strengthened his characters, while lightening up his premise and story. I think my overall mood of this film would have changed if just these two simple directions were taken. Oh, how I only wish I could time travel back to the production of this film to show Firode the errors of his ways. Overall, for the first time (and probably last), this was a Tautou film that I must say utterly disappointed me. From the choppy opening to the apathetic ending, I just felt that Happenstance failed due to Firode's leadership and horrid marketing. Marketing is something that I didn't mention before, but why would anyone purchase this film thinking that it was an Amelie 2 (per the title released in Hong Kong), and why would you place Tautou squarely on the cover knowing full well that she wasn't carrying this film at all. I believe that from the first minute that passed on my DVD player, this film was in shambles. While I will applaud his subject, everything else was well below the level of mediocrity. I cannot suggest this film to anyone. Grade: * out of *****

Note: French with English subtitles. Synopsis: Andrey Tautou stars as [Irene] a pleasant young girl with a friendly face about to begin her first day at a new job. While riding the subway on her way to work a stranger asks for the date of her birth and reads her horoscope to her. According to the stars she will discover her soul mate before the day is over. However her true love can only be encountered after a series of bizarre and seemingly unconnected events must take place in order to allow their meeting to occur. Critique: Released in '00 `Happenstance' is an enjoyable, though somewhat uneven film that explores the myriad of choices, and unplanned occurrences that can unknowingly alter our lives and destinies. The movie takes the audience on a sometimes whimsical, sometimes quirky journey through a day in the life of several individuals showing how the most simple of actions can create a myriad of repercussions in the lives of the characters of the film. You will probably find watching this film a fairly pleasant way to while away an evening as you follow the string of "what if's" leading to an infinite number of possible conclusion. There are moments of greatness overflowing with profound and memorable conversation scattered throughout the film. There are also however some spotty moments here and there serving as nothing more than filler material pushing the storyline forward until the next great moment comes along. My favorite sequences in the film involve the appearance of an unnamed character referred to in the credits as "The Destiny Man" played by Gilbert Robin. When he's on screen the dialogue is fascinating but these moments are too short and not quite often enough. My Rating: -2 ½ Stars-.

very happy it arrived in a timely manner and the copy of the film was good.

Je l'aimai beaucoup!