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Swing, Swagger, Drape: Knit the Colors of Australia [Slicer-Smith, Jane, Xenakis, Alexis] on desertcart.com. *FREE* shipping on qualifying offers. Swing, Swagger, Drape: Knit the Colors of Australia Review: Swing, Swagger, Drape: Knitwear with Gorgeous Color and Effortless ‘Swish’ - This original 2009 soft-cover book, Swing, Swagger and Drape: Knit the Colors of Australia, is now in its 3rd printing, with 208 pages. It has a plethora of graphic-/ photo-intensive inserts on almost every page. XRX is the publisher. The author, Jane Slicer-Smith, used shape and silhouette fused with ‘Swing’ and ‘Color’. In fact the subtitle is: ‘Knit the Colors of Australia’. This book contains 4 chapters: Chapter 1. ‘Simple Intarsia ; Chapter 2. ‘Mitres’; Chapter 3. ‘Texture/ Textured Patterns’; and Chapter 4. ‘Process and Practice’. The first 3 chapters are important because they delineate and describe the backbone of how the patterns in this book are to be constructed. Note that this book is heavily pattern-intensive, and the following concepts and skillsets are needed to be able to knit the patterns in the book: a. ‘knitting cable and other charts with repeated sequences’; b. ‘casts-ons’; c. ‘increases-decreases’; d. ‘use of markers’; e. ‘knit stitch’; f. ‘purl stitch’; g. ‘using multiple colors of yarns to create certain patterning’; h. ‘reverse stockinette’; i. ‘basket stitch’; j. ‘ribbing’; k. ‘making buttonholes’; l. ‘binding-off’; m. ‘placing stitches on hold’; n. ‘doing multiple stitches together (i.e. K2tog and P2tog0’; o. ‘shaping shoulders’; p.’ working on the RS and WS’; q. ‘the ability to knit color blocks (or parts of them)’; r. ‘using a cable needle and following a cable chart’; s. ‘short rows’; t. ‘intarsia’; u. ‘mitres’; and v. ‘joining the same color yarns and joining different color yarns’, among other skills. From the concepts and skillsets required above, in order for the knitter to be able to make the most complex knitwear, he or she needs to be experienced at least at an Intermediate/ High Intermediate to Advanced levels. However, if the buyer’s knitting skills aren’t competent enough to make many of these patterns now, the book will still be an inspiration to nudge the knitter up to these levels someday by constant practice with mentors or by watching internet videos. In sum, this beautiful book, offers patterns constructed of 3 main-types: intarsia, mitres, or textured patterns and should be a staple on all knitters’ bookshelves because the drape of the knitwear ‘swishes’ when it is worn and looks the like the wearer has effortlessly tossed the item on! Review: Wonderful designs, awkward physical format - I made the Harlequin Jacket - a variation on the cover design for Swing Swagger Drape - when it was published a couple years ago in Knitter's Magazine. It was a joy to create, and it never fails to generate compliments when I wear it. There is not a design in this book that I wouldn't consider doing -- I might skip the "drape" silhouette, but that's just a personal thing. Other reviewers mention the wide range of sizes, and that is definitely a good thing. I'm fairly small -- my daughter is taller and bigger -- and the designs work for both of us. So here's my nitpick. I am just starting the Greta design in a silk/linen blend. I almost always make a working photocopy -- totally acceptable under book's copyright policy. That way I don't have to add weight to my already overloaded commuter gear, and I don't have to mess up the pretty book. I stick the copies back-to-back in sheet protectors to avoid making hole punches through text. This book was a real challenge to copy. It's sized 20 x 11 inches, so the only way to get a full page is to copy onto 11 x 17 inch paper, one page at a time, and crop the second page -- AND trim the margins afterward to make it fit in a sheet protector -- AND hand write chart notes that extend all the way to the page's edge. Not exactly a 'green' process. It also takes some serious studying to figure out the flow of patterns that are presented in three silhouettes. Despite the minor complaints, the book deserves at least five stars. I believe the designs are do-able by determined advanced beginners who enjoy a challenge. My advice: buy it now. Even the most wonderful knitting books don't always stay in print.
| Best Sellers Rank | #644,982 in Books ( See Top 100 in Books ) #977 in Knitting (Books) |
| Customer Reviews | 4.8 4.8 out of 5 stars (219) |
| Dimensions | 10.5 x 0.6 x 11 inches |
| Edition | 60846th |
| ISBN-10 | 193306417X |
| ISBN-13 | 978-1933064178 |
| Item Weight | 2 pounds |
| Language | English |
| Print length | 208 pages |
| Publication date | October 1, 2009 |
| Publisher | XRX Books |
S**I
Swing, Swagger, Drape: Knitwear with Gorgeous Color and Effortless ‘Swish’
This original 2009 soft-cover book, Swing, Swagger and Drape: Knit the Colors of Australia, is now in its 3rd printing, with 208 pages. It has a plethora of graphic-/ photo-intensive inserts on almost every page. XRX is the publisher. The author, Jane Slicer-Smith, used shape and silhouette fused with ‘Swing’ and ‘Color’. In fact the subtitle is: ‘Knit the Colors of Australia’. This book contains 4 chapters: Chapter 1. ‘Simple Intarsia ; Chapter 2. ‘Mitres’; Chapter 3. ‘Texture/ Textured Patterns’; and Chapter 4. ‘Process and Practice’. The first 3 chapters are important because they delineate and describe the backbone of how the patterns in this book are to be constructed. Note that this book is heavily pattern-intensive, and the following concepts and skillsets are needed to be able to knit the patterns in the book: a. ‘knitting cable and other charts with repeated sequences’; b. ‘casts-ons’; c. ‘increases-decreases’; d. ‘use of markers’; e. ‘knit stitch’; f. ‘purl stitch’; g. ‘using multiple colors of yarns to create certain patterning’; h. ‘reverse stockinette’; i. ‘basket stitch’; j. ‘ribbing’; k. ‘making buttonholes’; l. ‘binding-off’; m. ‘placing stitches on hold’; n. ‘doing multiple stitches together (i.e. K2tog and P2tog0’; o. ‘shaping shoulders’; p.’ working on the RS and WS’; q. ‘the ability to knit color blocks (or parts of them)’; r. ‘using a cable needle and following a cable chart’; s. ‘short rows’; t. ‘intarsia’; u. ‘mitres’; and v. ‘joining the same color yarns and joining different color yarns’, among other skills. From the concepts and skillsets required above, in order for the knitter to be able to make the most complex knitwear, he or she needs to be experienced at least at an Intermediate/ High Intermediate to Advanced levels. However, if the buyer’s knitting skills aren’t competent enough to make many of these patterns now, the book will still be an inspiration to nudge the knitter up to these levels someday by constant practice with mentors or by watching internet videos. In sum, this beautiful book, offers patterns constructed of 3 main-types: intarsia, mitres, or textured patterns and should be a staple on all knitters’ bookshelves because the drape of the knitwear ‘swishes’ when it is worn and looks the like the wearer has effortlessly tossed the item on!
C**O
Wonderful designs, awkward physical format
I made the Harlequin Jacket - a variation on the cover design for Swing Swagger Drape - when it was published a couple years ago in Knitter's Magazine. It was a joy to create, and it never fails to generate compliments when I wear it. There is not a design in this book that I wouldn't consider doing -- I might skip the "drape" silhouette, but that's just a personal thing. Other reviewers mention the wide range of sizes, and that is definitely a good thing. I'm fairly small -- my daughter is taller and bigger -- and the designs work for both of us. So here's my nitpick. I am just starting the Greta design in a silk/linen blend. I almost always make a working photocopy -- totally acceptable under book's copyright policy. That way I don't have to add weight to my already overloaded commuter gear, and I don't have to mess up the pretty book. I stick the copies back-to-back in sheet protectors to avoid making hole punches through text. This book was a real challenge to copy. It's sized 20 x 11 inches, so the only way to get a full page is to copy onto 11 x 17 inch paper, one page at a time, and crop the second page -- AND trim the margins afterward to make it fit in a sheet protector -- AND hand write chart notes that extend all the way to the page's edge. Not exactly a 'green' process. It also takes some serious studying to figure out the flow of patterns that are presented in three silhouettes. Despite the minor complaints, the book deserves at least five stars. I believe the designs are do-able by determined advanced beginners who enjoy a challenge. My advice: buy it now. Even the most wonderful knitting books don't always stay in print.
K**R
A must in your knitting library!
If you think that the coat on the cover appeals to your taste, then you'll find the remaining patterns equally astonishing! You won't be able to decide which one to begin with. I ran to my LYS and bought more than 2.000 yards in order to start two models. Are you XS or XL, teenager or mature? All the patterns are suitable for you. If you are looking into design ideas of your own, Swing Swagger Drape can be used as an inspiration of how to involve local flavor, colors, shapes, etc. At a first glance, it may not look as a good option for a beginner. Nevertheless, instructions are so clear and precise that with a little bit of effort anybody can achieve good results. Great pictures, wonderful design, inspiring words. Don't hesitate to buy it. I mean it. I order it from South America and I think every cent worth it.
G**N
Sample Garments from this book Look Great on Real People
Several garments from this book were presented at my knitting guild. Random people from the audience (none were huge, but none were mini-model types either) tried them on, and they all fit and looked really great! The presenter explained that increases were placed throughout the body of the garment as part of the design motif, rather than at the seam edge. For a number of the jackets, they would fit nicely over the shoulders, and then have a very nice flare that would begin part way down that that looked flattering on numbers of different ladies that tried them on. And there were several very interesting garment constructions. One very interesting coat with nice looking collar draping turns out to be mostly a large rectangle which was described as having a few increases and decreases in just the right places. From the photos it is clear that the designs are very interesting and the colors are wonderful. But what really impressed me from seeing the actual garments on real people is how well the shape and fit were designed as well, qualities that are not as obvious in the flat model photos in the book.
D**I
modelli particolari con la tecnica mitered o domino, il rombo, bicolore o tinta unita, in varie misure e combinazioni. Creazioni originali della design australiana. Utile da consultare.
C**E
Que c'est beau ! Quel style ! Quelle maîtrise des couleurs et des formes ! Des modèles, pour hommes et femmes, (manteaux, pull, cardigans, chapeaux, jupes), d'une remarquable beauté (couleurs et tracés), à la fois très originaux, de fort caractère, mais tout en restant très classiques (aucune "déjante") et tout à fait portables dans une vie quotidienne. il y a du "grand tricot" comme il y a de la "grande couture", mais cela reste simple et très adaptable. Etonnamment, si tous les modèles demandent clairement une vraie somme de travail, bon nombre ne semblent pas complexes du tout. Livre très visuel et bien conçu, les techniques sont présentées très clairement, les montages , les couleurs , le repérage des tailles , les fournitures sont l'objet de textes et de diagrammes. Bravo et merci à l'auteur.
C**E
An amazing book full of inspiration for new knits. New ideas, using colours that become the centre of the pieces supported by the design which can be reused to produce new pieces of clothing by adding geometry to the design. Not easy pieces but worth the time. The book itself is in good condition.
M**E
Die vorgestellten Modelle sind einerseits Mäntel, Jacken, Umhänge/Pullunder, andererseits passende Mützen. Dabei werden jeweils Grundmodelle in verschiedenen Ausführungen gezeigt, also in verschiedenen Längen, mit anderen Kragen usw. Es gibt auch Pullover, soweit ich gesehen habe auch einen Herrenpullover, diese sind aber in der Unterzahl. Es gibt Modelle, die auch für ehrgeizige Anfänger machbar sind, das Schwergewicht liegt aber auf leicht schwierigeren Stücken: Man sollte schon einmal mit mehreren Farben oder Garnen gearbeitet haben, um zu begreifen, welche Kombinationen "gehen" und welche nicht. Das Niveau ist etwa empfehlenswert ab dem 3. größeren Projekt! Da die Anleitungen aber sehr gut sind, kann man sich anhand des Buches auch neue Bereiche erschließen, dazu sollte man aber auch Englisch-Grundlagen haben. Die Modelle bieten den Vorteil, daß sie meist ohne Probleme von Größe XS bis Größe XXXL (usw) angepaßt werden können. Sie beruhen auf Modulen, deren Umrechnung ganz einfach ist, allerdings sind alle Größenangaben in Zoll, man muß also zu Beginn in cm umrechnen. Es handelt sich auch im wesentlichen um Jacken oder jackenartige Kleidungsstücke (Umhänge..), die in jeder Größe jeder Frau auch mit fülligerem Körperbau oder Problemzonen gut stehen. Denn entscheidend ist hier die Länge eines Kleidungsstücks, und die Autorin zeigt, wann man vielleicht besser die A-Linie trägt und bei welcher Frau längere oder kürzere Stücke sinnvoll sind (zumindest kann man sich das leicht erschließen). Das geschieht, indem ein Modell meist in drei Längen und verschiedenen Farbvarianten "an der Frau" fotografiert ist. Ich war eigentlich erst etwas enttäuscht, weil ich fand, daß die Autorin so aus einem Stück gleich mehrere gemacht hätte, aber der Reiz liegt gerade darin, daß weniger ein Modell dargestellt wird als vielmehr eine "Machart". Auf diese Weise erhält man einerseits klare Anweisungen, wenn man ein Stück nachstricken will, andererseits aber sehr gute Anregungen für eigene Entwürfe. Mich hat aber vor allem die Farbigkeit der Modelle überzeugt. Ich liebe das Arbeiten mit verschiedenen Farben, werfe aber das Handtuch bei Jacquard-Techniken, weil ich bei Dämmerlicht vor dem Fernseher nicht auch noch mit zwei Farben Muster stricken kann und mir die Technik ehrlich gesagt zu lange dauert. Die hier gezeigten Stücke bestechen dadurch, daß sie ausgesprochen farbig und abwechslungsreich sind, daß aber die einzelnen Module immer in einer Farbe gestrickt werden können - oder aber man arbeitet "Intarsien", was aber auch wesentlich einfacher ist als "Streuselmuster". Es gibt ein Modell für einen Mantel mit Farbverlaufsgarn (nicht "Bobbel", sondern kürzere Farbverläufe wie z.B. im "Zauberball" u.ä)., einfarbige Modelle mit Strukturmustern und sehr ansprechende einfarbige Modelle mit Fallmaschen. Außerdem werden verkürzte Reihen in mehreren Farben verwendet, schließlich noch sehr aufwendige Intarsienmuster. Alle Modelle sehen sehr "schwierig" aus, bestehen aber aus leicht verständlichen Grundstichen oder -techniken. Das Besondere ist, daß einfache Techniken gekonnt zusammengefügt werden, so daß selbst die erfahrene Strickerin noch neue Ideen mitnommt. Wer Modelle von Marianne Isager oder Annette Danielsen mag, ist mit diesem Buch gut bedient, wenn er/sie ausreichend Englisch kann und keine Angst davor hat, auch mal was umzurechnen. Und - wie gesagt - wer nach Anregungen für schicke Modelle in "Plus Size" sucht, sollte das Werk unbedingt anschaffen.
P**R
If this is the type of knitting patterns you are looking for it is excellent
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